The Cook and the Chef: Musk's Secret Sauce. This is the last part of a four- part series on Elon Musk’s companies. For an explanation of why this series is happening and how Musk is involved,start with Part 1.

A long series with long posts and a long time between posts. It turns out that when it comes to Musk and his shit, there was a lot to say. Anyone who’s read the first three posts in this series is aware that I’ve not only been buried in the things Musk is doing, I’ve been drinking a tall glass of the Elon Musk Kool- Aid throughout. I’m very, very into it. I kind of feel like that’s fine, right?

The dude is a steel- bending industrial giant in America in a time when there aren’t supposed to be steel- bending industrial giants in America, igniting revolutions in huge, old industries that aren’t supposed to be revolutionable. After emerging from the 1. And all of this, it really seems, for the purpose of giving our species a better future. Pretty Kool- Aid worthy. But someone being exceptionally rad isn’t Kool- Aid worthy enough to warrant 9. During the first post, I laid out the two objectives for the series: 1) To understand why Musk is doing what he’s doing.

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To understand why Musk is able to do what he’s doing. So far, we’ve spent most of the time exploring objective #1. But what really intrigued me as I began thinking about this was objective #2. I’m fascinated by those rare people in history who manage to dramatically change the world during their short time here, and I’ve always liked to study those people and read their biographies. Those people know something the rest of us don’t, and we can learn something valuable from them. Getting access to Elon Musk gave me what I decided was an unusual chance to get my hands on one of those people and examine them up close.

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If it were just Musk’s money or intelligence or ambition or good intentions that made him so capable, there would be more Elon Musks out there. No, it’s something else—what TED curator Chris Anderson called Musk’s “secret sauce”—and for me, this series became a mission to figure it out. The good news is, after a lot of time thinking about this, reading about this, and talking to him and his staff, I think I’ve got it.

What for a while was a large pile of facts, observations, and sound bites eventually began to congeal into a common theme—a trait in Musk that I believe he shares with many of the most dynamic icons in history and that separates him from almost everybody else. As I worked through the Tesla and Space.

X posts, this concept kept surfacing, and it became clear to me that this series couldn’t end without a deep dive into exactly what it is that Musk and a few others do so unusually well. The thing that tantalized me is that this secret sauce is actually accessible to everyone and right there in front of us—if we can just wrap our heads around it. Mulling this all over has legitimately affected the way I think about my life, my future, and the choices I make—and I’m going to try my best in this post to explain why. What happened was, around 6,0. Earth was formed as a perfect sphere with a surface of idyllic land and a watery interior. But then, when the surface dried up a little later, cracks formed in its surface, releasing much of the water from within. The result was the Biblical Deluge and Noah having to deal with a ton of shit all week.

Once things settled down, the Earth was no longer a perfect sphere—all the commotion had distorted the surface, bringing about mountains and valleys and caves down below, and the whole thing was littered with the fossils of the flood’s victims. And bingo. Burnet had figured it out. The great puzzle of fundamental theology had been to reconcile the large number of seemingly- very- old Earth features with the much shorter timeline of the Earth detailed in the Bible. For theologians of the time, it was their version of the general relativity vs.

There were enough theories kicking around reconciling geology with the verses of the Bible to today warrant a 1. Flood Geology” Wikipedia page. Around the same time, another group of thinkers started working on the geology puzzle: scientists. For the theologian puzzlers, the starting rules of the game were, “Fact: the Earth began 6,0. Earth- sweeping flood,” and their puzzling took place strictly within that context. But the scientists started the game with no rules at all.

The puzzle was a blank slate where any observations and measurements they found were welcome. Over the next 3. 00 years, the scientists built theory upon theory, and as new technologies brought in new types of measurements, old theories were debunked and replaced with new updated versions. The science community kept surprising themselves as the apparent age of the Earth grew longer and longer. In 1. 90. 7, there was a huge breakthrough when American scientist Bertram Boltwood pioneered the technique of deciphering the age of rocks through radiometric dating, which found elements in a rock with a known rate of radioactive decay and measured what portion of those elements remained intact and what portion had already converted to decay substance. Radiometric dating blew Earth’s history backwards into the billions of years, which burst open new breakthroughs in science like the theory of Continental Drift, which in turn led to the theory of Plate Tectonics. The scientists were on a roll. Meanwhile, the flood geologists would have none of it.

To them, any conclusions from the science community were moot because they were breaking the rules of the game to begin with. The Earth was officially less than 6,0. But the scientific evidence grew increasingly compelling, and as time wore on, more and more flood geologists threw in the towel and accepted the scientist’s viewpoint- maybe they had had the rules of the game wrong. Some, though, held strong. The rules were the rules, and it didn’t matter how many people agreed that the Earth was billions of years old—it was a grand conspiracy.

Today, there are stillmany flood geologists making their case. Just recently, an author named Tom Vail wrote a book called Grand Canyon: A Different View, in which he explains: Contrary to what is widely believed, radioactive dating has not proven the rocks of the Grand Canyon to be millions of years old. The vast majority of the sedimentary layers in the Grand Canyon were deposited as the result of a global flood that occurred after and as a result of the initial sin that took place in the Garden of Eden.

Whether religious or not, most people who read this site are big on data, evidence, and accuracy. I’m reminded of this every time I make an error in a post.

Whatever role faith plays in the spiritual realm, what most of us agree on is that when seeking answers to our questions about the age of the Earth, the history of our species, the causes of lightning, or any other physical phenomenon in the universe, data and logic are far more effective tools than faith and scripture. And yet—after thinking about this for a while, I’ve come to an unpleasant conclusion: When it comes to most of the way we think, the way we make decisions, and the way we live our lives, we’re much more like the flood geologists than the science geologists.

And Elon’s secret? He’s a scientist through and through. Hardware and Software. The first clue to the way Musk thinks is in the super odd way that he talks. For example: Human child: “I’m scared of the dark, because that’s when all the scary shit is gonna get me and I won’t be able to see it coming.”Elon: “When I was a little kid, I was really scared of the dark.

But then I came to understand, dark just means the absence of photons in the visible wavelength—4. Then I thought, well it’s really silly to be afraid of a lack of photons. Then I wasn’t afraid of the dark anymore after that.”2. Circuit Diagram To Breadboard Software. Or: Human father: “I’d like to start working less because my kids are starting to grow up.”Elon: “I’m trying to throttle back, because particularly the triplets are starting to gain consciousness.

October 2. 00. 9 - Bondage Video Discussion Forum Archive. LTL: That poster for Live Animals looks good.

Almost too good. I'm keeping my fingers crossed that this isn't yet another example of false advertising. Given jhlipton's tastes for chocolate, I hope he gets a chance to see this one, too. It seems that women play the dominant roles in that film, no? Thanks for the review of the first installment. So here goes: BONDAGE CLASSICS #1. This HOM effort compiles seven separate stories, some outstanding, others disappointing. A number of consistencies run throughout the film.

There is consistently no dialogue. The women are consistently hot. The bondage is consistently tight. And the editing is consistently bad. A masked man (Whitman/Blakemore) reads a note instructing him to .

He forces her to put leather straps on her wrists and ankles, and then stands her on a stool. Her wrist straps are chained to a ring above and the stool is removed. As she's hanging there, her short yellow one- piece shirt/dress gets lifted up, exposing her black panty- encased ass. She kicks at him with her white, knee- high boots so he secures her ankles together. He unzips the front of her top to reveal a nice set of natural tits, which he naturally fondles and slaps. As her legs start to glisten in sweat, he yanks off her panties and dangles them in front of her face. She pleads no, and closes her mouth.

We may not know what the hell the Hutchins Affair is, but we sure know where those panties are gonna end up. He then uses a long piece of wood as a leg- spreader bar. He binds her arms behind, but she still won't cooperate. Again, without a smooth transition, he has her tits tied and plays with her nipples and pussy as she shakes her head. Kathy is now standing, arms tied in front but legs still secured to the spreader bar.

He wraps a belt around her neck and inserts the dildo, with the bottom end of the stick screwed into the spreader bar so the contraption is an upside down . Blakemore shoves it in a bit more and blood appears smeared on his fingers. He molests her as she gives a great look of agony. Blakemore panty gags her again and leaves her there as she plays with her breasts.

I guess this means she is cooperating. She comes to sporting a ring gag consisting of white tape and, I think, the inner role of the tape. Her wrists are taped over her head to a vertical pipe, and her legs are tied together with rope and suspended. Blakemore unbuttons her nurse's uniform (I guess white garter belts are part of the dress code there) and attaches medical clamps to her gorgeous and natural tits. Give me Rene Baker's body over any surgically enhanced one nowadays. He uses the medical clamp to grab her tongue through the ring gag. At this point, her tears cause the mascara to stream down her cheek.

And we get great eye expressions of this poor damsel in distress. She kicks him! Startled and a bit befuddled, Blakemore gets a belt and lashes her tits and midriff, then uses a spreader bar to keep those pesky legs in place. He pulls down her sheer panties a bit and yanks at her pubes with the clamp. Fade out and fade in to her AOH, in a chair, with her legs still in the spreader bar that's hoisted up, leaving her pussy vulnerable to attack. She is rope- gagged. Blakemore strokes her lovely legs and pussy, and then inserts a dildo (not shown but her facial reaction indicates what's going on).

Her arms are tied behind her back and she is not gagged. He again plays with her goodies, then forces her down to give him a blow job. Rene is gorgeous and gives some great facial expressions while Blakemore is typically mean. But this segment also suffers from choppy editing.

The transitions between some of the different bondage settings are non- existent. For example, after he starts forcing her to give him head, we immediately jump to .. Captured 1 A very hot blonde (don't know her name but she appears in other Bondage Classics films) in a really short skirt and white boots comes home as the villain (Blakemore) sneaks into the basement through a window. The clumsy intruder knocks over a flower pot so blondie wisely decides to investigate- -alone. As she makes her way down the stairs, the villain in a stocking mask attacks, and he somehow knocks her unconscious by simply grabbing her arms. As she awakens, he rips open her blouse and stuffs a wad of cloth in her mouth and cleave gags her.

He orders her to stand up as the music intensifies. She refuses so he removes his belt and smacks her a bit. We get close- ups of her face in a supposed reaction to the lashing. She looks absolutely beautiful. But this entire vignette suffers because she herself gets into her predicament.

With her free hands, she fondles her breasts, which remain encased in a white bra. With some encouragement from his belt, Blakemore orders her to take down her skirt and we see she's wearing some damn sexy white panties. After some bad editing, he secures one of her ankles up to a pulley, ties her wrists together and applies a crotch- rope that gets looped over the pulley. Then he waves goodbye to her.

It gets better, and stranger, in .. Comment Telecharger Des Films Francais Gratuitement Avast. Captured 2 It seems the intruder is a music lover. Our blond victim is led by the crotchrope, arms tied behind her back, and she's still in her underwear. He hoists up her arms so she's in a standing strappado, and the crotchrope is reapplied, Finally, and I mean finally, he removes her bra to reveal her natural tits. He gives them a squeeze and flicks her nipples. He puts her on the filthy basement floor, hogties her and gives her some more tit groping and a reverse wedgie. After a close- up of the turntable (?!), she's now tied AOH with one of her legs bent at the knee and her ankle tied to her thigh.

She does some nice jiggling. After some more screwy editing, her other leg is roped in the same fashion so she's suspended. He suspends her upside down by the ankles, and her arms are now tied behind her back. We get some nice close- up shots of .. He leaves her suspended so she can listen to Eric Burdon.

But my feelings on using lingering shots of the turntable and War Live album can be summed up by lyrics from The Boss: War What is it good for Absolutely nothing Say it again. Bitches' Just Reward Despite the title, there is only one . She is wearing a black party dress. A ski- mask wearing dude leads her to a bathroom and ties her wrists to the top of the stall frame. He removes her dress so she's left in only a black thong, stockings and black high heels. He removes the cinder block she was standing on so she's suspended, and leaves her there to struggle helplessly. Her ankles are tied to the sides of the ladder.

He manhandles her tits and pussy. The whipping part was starting to get good as he targeted her pussy, but it ended too quickly. And I would have liked to see some indication on why she was given the label . They make it into a strappado for good measure. Like all good spies, she's wearing black panties, garter belt and high heels. The dungeon, by the way, looks like the basement in the Captured vignettes. One of the interrogators wraps a belt around her right ankle, and lifts it up and ties it to the free end of the crotch rope.

They shove a big black ballgag in her mouth and lift up her top to reveal a strapless black bustier. This garment gets unbuttoned to expose her swollen nipples, which they promptly fondle and flick. They crotchrope her and tie her wrists behind her as the ballgag magically reappears in her mouth. She's suspended upside down with her legs spread wide.

One guy plays with her tits a bit while waving documents in front of her. The Nazi- sympathizer shakes her head no. Still, she gives some nice looks of disgust and anger over what's happening to her in her defiance. Viva la resistance! Suspended Tension We immediately jump into the action.

A topless gloved brunette in black panties and garter belt is tied AOH in a basement. The villain hoists her up. He grips her nice firm breasts and then he sits down to admire his handiwork.